In this latest POWER RANGERS our five hero teens learn that their small town of Angel Grove - as well as the entire world - is on the verge of being completely destroyed by an alien threat and soon discover that they are the only ones who can save the planet. But to do so, they must overcome their personal 'real-life issues' and somehow join forces to save us all.
A group of high-school students, who are infused with unique superpowers, harness their abilities in order to save the world.
I thought it was, generally, very good and enjoyable. It was definitely fun to go back down memory lane. The biggest problem I had with it was the dialogue and character progression. It seems like I'm the only person who wasn't impressed with RJ Cyler … most of his lines basically consisted of "Hey guys" or "Ummm guys". While I thought it was good to show ASD, I didn't really buy his performance of it, it only seemed to be shown as a plot device. The relationship between the teenagers was also progressed waaaay to fast. It went from I just met you to- sharing deepest darkest secrets(except Kimberly, who only shared with Jason)in what felt like a matter of minutes. Finally, just a bunch of bad dick jokes … like a putty getting hit in the genitals, except it doesn't have any. Or the "milking the cow" part. Just no. I loved the soundtrack, and Alpha was fantastic, and a really cool redesign. The zords looked really cool and I really liked their redesign as well. The megazord was kind of eh though.
Guess its time to whip out your old Tamagotchi and listen to whatever Marcy Playground song you&#39;ve recorded on your Tiger Talkboy when you were six; because the nineties are back! Don&#39;t believe me, just check out the newest blockbuster film that&#39;s about to hit your multiplex with the force of a speeding Bronco. Yes the Mighty Morphing Power Rangers are back and this time instead of importing stock footage from some cheap Japanese superhero show, this brooding, edgier version is importing clichés from every American superhero film from the last fifteen years.<br/><br/>Just how much edgier is this new movie? Well the story begins with three of the five soon-to-be Rangers spending their Saturdays in detention so already they&#39;re more irascible than Bulk and Skull. They&#39;re also about half as much fun as evidenced after our five teenagers with attitude meet up, discover their multi-colored power coins and proceed to stare at each other in confusion. This lasts an entire act and throughout we&#39;re only given the archetypal outlines of our heroes to play with. There&#39;s the bland Red leader (Montgomery), the Yellow outsider (G.), the Black bad boy (Lin) and the Pink Ranger (Scott) who seems to think cutting her hair on a whim doesn&#39;t make her the personification of mayonnaise.<br/><br/>Then of course there&#39;s Billy (Cyler), the Blue Ranger. He&#39;s on the spectrum; you can tell because he outright says he&#39;s &quot;on the spectrum.&quot; While this could have been a good moment to truly act upon the TV show&#39;s (1993-1995) phoned-in anti-bully, inclusion-based &quot;the more you know,&quot; pablum, the movie basically just uses him as a narrative building block. That&#39;s of course when they&#39;re not also using the Blue Ranger as a tonally embarrassing point of mirth for the sake of undermining the gritty tone. Considering that his autism is boiled down to a running joke, its a miracle RJ Cyler comes across as sincere as he does. Every time the ensemble tries to elevate him as the movie&#39;s heartfelt center, you really want to believe it&#39;s sincerity, even if it feels counterfeit.<br/><br/>Its that faux sincerity and the nostalgia that will no doubt sell long-time fans on this new film. As much as the reboot wobbles between seriousness and silliness, the fact that there is an appearance of a center of mass, means that there&#39;s just enough here for audiences to trick themselves into thinking they saw the best version they possibly could have made. It makes a kind of sense; how can you really make a realistic movie about children gaining superpowers through alien technology to fight evil? While I don&#39;t agree with the premise of the question (I mean, does it really need to be realistic?), I also don&#39;t think the answer is to wait until the very end to introduce the franchises sillier minutia. Especially when the directing and editing would make anyone with eyeballs want to spin them back into their head. It&#39;s not Fantastic Four (2014)-level bad, but the fact that I&#39;m bringing up that film in the same breath as this one, is evidence their both are in the same ball park and both need to answer for the millions of dollars wasted. I mean come on, the best part about this mess is the slovenly fight choreography which could have been done with a couple of costumes and a million yen.<br/><br/>It&#39;s hard to say Power Rangers (sponsored by Krispy Kreme) is the latest victim in franchise co-oping by greedy executives, short-sighted PR experts and story-arcs by committee. While Spider-Man fans and Batman fans could argue their IP&#39;s came from some nebulous notion of artistry over commerce, Power Rangers has been a cheaply cobbled cash grab pretty much from inception. In that regard the fact that this film has any semblance of sincerity is a minor miracle. If you got to see it, focus on that and that alone. Go, go mediocrity.
A teen group therapy session disguised as a superhero movie, Power Rangers is numbingly predictable and cynically made, recycling myriad blockbuster tropes but draining their adolescent pleasures in the process.
Despite this show being based on the original Mighty Morphin Power Rangers TV series, there are some substantial differences in characters/plot/storyline/etc. There may be minor spoilers in this section:<br/><br/>-A major difference is that this is a PG-13 film and touches on some mature subject matter and more realistic violence than the original TV-Y7-rated television series.<br/><br/>-In this film, Zordon and Rita are both former Power Rangers back in the Cenozoic era, with Rita having betrayed the team. While Zordon and Rita in the original show have an extensive past and were enemies, there was nothing in the original show that stated either of the two was actually a Power Ranger, although it is worth noting that in the original TV show, Rita, not Zordon, initially had possession of the Green Power Coin.<br/><br/>-In the original TV series, Rita and her henchmen are sealed away and banished into space in a &quot;Space Dumpster.&quot; In this film, she is apparently killed by a meteor, but revives in the modern day, possibly because she still had the Green Power Coin in her possession.<br/><br/>-In the original TV series, Rita tricked Zordon into accepting a truce, and used this opportunity to trap him in a time warp, which is why he appears inside of a glass dome. In this film, Alpha 5 sealed Zordon into the spaceship&#39;s matrix as a means of keeping him alive.<br/><br/>-While Alpha 5&#39;s design has changed, his personality is largely the same. He does, however, have additional means of self-defense, including extendable arms.<br/><br/>-The Command Center where Zordon and Alpha reside was apparently built on Earth outside of Angel Grove. The Command Center in the new film is Zordon and Alpha&#39;s old spaceship, trapped and buried under ground after millions of years. However, both Command Centers are located outside of Angel Grove proper.<br/><br/>-The new Zordon does not immediately embrace/accept the Ranger team, and is highly critical, unlike his television counterpart.<br/><br/>-In the new film, the Rangers apparently do not have the ability to teleport, like they did on the original TV series.<br/><br/>-In the original TV series, the Rangers had to morph to gain their powers/strength. In this film, they gain superhuman strength just by possessing the Power Coins. Additionally, the team has to &quot;come together&quot; as a collective team before they can morph in the new film, while they are able to do so immediately upon desiring to do so in the original show.<br/><br/>-The Angel Grove of the original television series was more of a &quot;California Valley&quot; style town, whereas it has an economy based around fishing in the new film. The design of the town in the new film reflects this.<br/><br/>-In the original TV series, Jason (Red Ranger) is a kind-hearted martial artist, and seamlessly becomes the leader of the team, rarely conflicting with his teammates/subordinates (though based on some reactions of the school principal, it&#39;s possible he was a delinquent at one point). The Jason of the film is much more reckless and gets in trouble for pranks he played in school, having to attend detention. This Jason is much more conflicted and reckless than his television counterpart, and is doubted as a leader initially.<br/><br/>-The Kimberly (Pink Ranger) on the original show is a &quot;Valley Girl&quot; type, skilled in gymnastics and music. The one in the film is a more flawed character, and feels like something of a mash-up between a &quot;popular girl&quot; and &quot;mean girl&quot; stereotype. This version of the character is not above doing things that are less than ethical early in the film, which alienates her from her former friends.<br/><br/>-On the original show, Zach (Black Ranger) was African-American, and had invented a fusion of martial arts and dance. In the film, he is of Asian descent, and is something of a delinquent, acting out and regularly not attending school, this partially being due to him having an ailing mother. Ironically, this version of Zach, at least in terms of physical appearance, more resembles Adam Park from the TV series, the second Black Ranger (and Zach&#39;s replacement).<br/><br/>-The Billy (Blue Ranger) on the original show was a Caucasian and somewhat of a &quot;nerd&quot; stereotype, who, while a victim of bullying at times, invented things to help the Power Ranger team. Although the character was changed to African-American for the new film, the new version of Billy probably more closely resembles the original version of the character personality-wise than any of the other new Rangers from the film, although the new version&#39;s personality is somewhat different since he has autism.<br/><br/>-The Trini (Yellow Ranger) in the original film was both intelligent academically and a skilled martial artist. The version in the new film is of Hispanic/Latina descent and more of a delinquent; it is implied that she may be lesbian/bisexual, although this is not really explored in the film. Her parents clearly see her as a &quot;weird&quot; one due to some of her habits/behavior.<br/><br/>-Rita in the original show had henchmen, including Squat, Baboo, Finster, Goldar, and Scorpina. None of these henchmen appear in the new film, other than Goldar, who is reimagined as a mindless golden giant.<br/><br/>-In the original TV show, the five Ranger forms/Zords have names: Mastodon: Black Ranger. Pterodactyl: Pink Ranger. Triceratops: Blue Ranger. Sabertooth Tiger: Yellow Ranger. Tyrannosaurus: Red Ranger. None of the Ranger forms/Zords are named in the new film, although Billy coins use the term &quot;Megazord&quot; himself to refer to the combination of the Zords that fights Goldar.<br/><br/>-The original TV show&#39;s Megazord had all five Rangers in a joint cockpit, as well as a separate &quot;Tank&quot; mode before shifting to the &quot;Robot&quot; mode. The new version, apparently, only has the &quot;Robot&quot; mode, and each Ranger remains in his/her individual Zord on the united form, rather than in a collective cockpit.<br/><br/>-The TV show had many regular characters that do not appear in the new movie, namely Ernie at the Juice Bar, bullies Bulk and Skull, schoolteacher Ms. Appleby, and school principal Mr. Kaplan. The only teacher regularly seen in the film is the one monitoring detention, and he does not seem to be based on any previously existing character.
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